It’s been a while since I posted anything, not to mention the last time
I posted some artwork. So, I thought I
would show the most recent hybrid piece.
Everyone remembers what I mean when I say hybrid, right? The artwork was created traditionally in the
mid 1990’s, but updated recently using Photoshop. “Blue Collar” is a piece that was conceptualized
for the December 1993 photography session with the model. When I say it was conceptualized for the
photography session, I meant I actually put thought into the poses, clothing
and props I wanted the model to wear and use.
While he supplied the baseball cap and shirt, I supplied the chain. I really wanted to use chain in some of the
poses. To me it’s a very industrial and
masculine element and I thought it would be a great prop to use. The fact that it additionally symbolizes
bondage didn’t hurt either.
The photos that inspired this illustration are probably my favorites
from the session. As part of my contract
with the model, I cannot publish any of his photos. Sorry, that was part of our agreement. But trust me, when he put on that baseball
cap and barely-there shirt, he was adorable beyond description. He was very handsome, possessing (what I like
to call), all American good looks. I
guess the best way to describe that look is the male models from Abercrombie
and Fitch. There is a boyish charm to
them, but there is also a sense of collegiate sophistication. They are not only text-book handsome but they
also look intelligent, collegiate and prep-school-like. I really lucked out when he posed for
me. He got a few hundred bucks for a few
hours work and I got some amazing photos to inspire my creativity.
He was in his mid thirties when these photos were taken and he still
looks just as good today. Almost 20 years
have passed since December of 1993, but I checked out his facebook page, and he
is still just as handsome. Time has been
very kind to him.
As I mentioned, this is another hybrid piece. The black line work was painted with a fine sable
hair brush and India ink. I would paint
the ink onto hot press bristol paper or illustration board. The design would be drawn and painted double
the size of the final presentation (in my portfolio). If the finished work was shown in my
portfolio at 8.5” x 11”, I would paint the original at 17” x 22”. It was easier for me to paint larger than
actual size. I also loved how “tight”
the finished work looked when it was reduced.
The imperfections were less noticeable and the line work became thinner
and more delicate. I would then take the
original black and white painting to a graphics photographer where he would use
a stat camera to photograph the art at half scale onto a sheet of clear acetate. I would head back to my studio and mix the
colors needed to finish the piece. Once
the paints were mixed, I would lay a sheet of semi-transparent waxed rice paper
(artist’s paper called waxed masa) on top of the black and clear acetate and
carefully paint in-between-the-lines to add the color. The type of paint I used was gouache. When finished carefully painting between the
black lines onto the waxed paper, I would then switch the positions of the
paper and acetate, placing the acetate on top of the painted waxed paper. After lining up the black line work with the
under lying painting, I would then securely tape the sides of the two together
creating the finished piece. The hybrid
part comes in with Photoshop. How I use
Photoshop varies from one work to another.
But at the very least, Photoshop is used to smooth out the paint, making
the colors flat and even. During this
process, I usually re-color the piece, changing the colors some. I may also go in and rework some of the black
line work. On “Blue Collar” I reworked
his facial structure as well as giving his ear more detail. I added the tattoos on his arm as well as the
facial and body hair. I also reworked
his nipples from the original artwork.
There were a lot of steps to this traditional process, but I truly
loved the end results. I very much
enjoyed painting the precise, even line work.
I know this might sound odd, but it was somehow relaxing. I’m sure it would drive other artists insane
to paint such precise and even line work, but I’m part German and very much an
Aries, so that might be part of the answer.
Every artist has their own techniques used to create their distinctive
style. This is what makes art so
interesting and different. It would be
very boring if all artists produced the same style of work.